Richard Curtis wrote Blackadder. Why am I telling you this? Richard Curtis wrote Blackadder and he also wrote Notting Hill and Four Weddings and a Funeral. Oh I can feel it. I’m going to go off on one.
For those of you who have ever been to Notting Hill, you will know that it is a multicultural place. In other words; it isn’t populated by cheery, foppy haired, middleclass white people. If your only experience of Notting Hill is the film, you would be forgiven for thinking it was so. Y’see, in this so-called enlightened 21st century, racism hasn’t gone away, it has just become more subtle. Why are all the cast of Notting Hill white? Because Richard Curtis obviously believes that no one is interested in the lives of black people. You can hug all the starving kids you want on T.V, Richard, if you don’t actually feel it it’s just a publicity stunt. I’m glad that money has been raised for people who should not be allowed to go hungry in the first place but, let’s face it, if any of those kids became a celebrated actor or actress, would you put them in one of your movies? Fuck no. Not while Hugh Grant is still fooling everyone. Bill Gates has given most of his fortune to help these people and he didn’t need the carrot of a TV soundbite to do it. He, like most of us, saw the pornography of cruelty and injustice that could be stopped if the governments of the wealthier nations actually gave a fuck and realised that he could make a huge difference. Bill Gates, I salute you.
When I was a kid, I idolised Phil Lynott. I didn’t even think about what colour his skin was because he was ours. He was Irish. He was The Rocker. The funny thing about racism is that the biggest racists spend a fucking fortune trying to make their skin darker. They go on sun holidays, wear factor .000000000002 and then come home unhappy with being lightly browned so go off and get a spray tan. The result is that their skin looks leathery and orange. Anyway, this rant was not supposed to be about racism because, if I start on that, I’ll turn the fucking air a healthy shade of fucking blue!!
Let’s get back to good ol Richard Curtis for a moment. Four Weddings and a fucking Funeral? I know the clue is in the title but what the fuck was that movie about? Here’s an idea for your next movie Richard: You get Hugh Grant, right, and you cast him as a foppy haird, wealthy, middleclass, unemployed piano tuner living in a penthouse studio apartment in Picadilly Circus. He’s dating a quirky, hippy-chick pigfarmer - played by Martine McCutcheon - whose catchphrases include, “don’t mind me, I’m a thick fucking bint” and “it better be Prada.” Their relationship is pedestrian at best and Hugh just can’t reconcile himself to a life of middle-aged, middle-class mediocrity. Enter Sharon Stone - as I’m sure many have - as a former superstar pianist, trying to relaunch her career in London. She’s engaged to a domineering, former Nigerian Ambassador named Faruq - played by Mike Reid - and she grieves daily about the lack of rommance in her life. One day she discovers that her priceless steinway is out of tune. She likens it to her lovelife. A montage of her former glories ensues and is set to a soundtrack of Cliff Richard singing, What Becomes of the Broken Hearted. She decides to call in a piano tuner. Enter Hugh. He’s in a bit of a quandry because he is supposed to have a date with Martine but he can’t turn the work down. “Bugger” he says.
In the meantime, Faruq - far from happy at the lack of attention he is getting from his wife - decides to go out with his mat, Mohammed - played by Jim Davidson. Hugh and Sharon fall in love - though it doesn’t manifest itself straight away but through a series of hilarious misadventures, punctuated by Hugh saying, “bugger” - and Faruq, Mohammed and Martine get it together with hilarious results. The film ends with a double wedding and, over the closing credits, we have Bryan McFatarse and Victoria Peckham singing a duet of Endless Love. Instant hit Richard. You can send my share of the royalties to Captain Purplehead, The Thirsty Kipper, Half way Around the Cape of Good Hope.
I mean, not only do we have to endure an hour and a half of utter shit, he ends one with Wet - fucking Wet - oh not again - Wet and the other with Ronan - will you fucking shut the fuck up - Keating singing cover versions of fucking horrible songs, which inevitably go to number one so that every time you turn on the fucking radio you have to hear the fucking things and then you go to work with a nagging pain in the back of your mind and take it out on your colleagues who say, “what’s up with you” and then you go on a rampage, stabbing everyone in sight with a fucking bic biro and then you go to court with an armed escort and they keep singing “I feel it in my fingers I feel it in my toes” all the way to the courthouse and you keep thinking, “what were they singing about, rheumathoid arthritis? Fucking shingles?” and the judge sentences you to seventy two hours community service, spent cleaning the puke out of the carpet in Teds before returning to his chambers singing, “Itsh amazshing how I get way with thish voish” and you get to Teds andthey keep playing the summer party album form nineteen eighty seven eventhough it’s November and it’s pissing and, on your lunch break, and you are made to read Jodie Marsh’s autobiography… AAAAAGGGGGHHHHHHH. DANTE’S FUCKING INFERNO SEEMS LIKE HEAVEN IN COMPARISON!!!!! You sadistic bastard Richard! What did the public ever do to you? Take a holiday, Richard, a fucking long one.
Now we come to chick lit. These are books about office girls with no self-esteem who eventually bag a hunk because of their strong, never say die spirits and their caustic wit. FUCK OFF!!!! With the possible exception of Marian Keyes, FUCK OFF!!! I won’t call it a variation on a theme because, whilst there certainly is a theme, there is little fucking variation. Bertie Ahern’s daughter has just signed a bumper fucking publishing deal and an even bumpier fucking movie deal with her chick lit offering, P.S I love you. Just look at the fucking title for fuck’s sake!!! Did she write a book about growing up with a crook for a father? No. Did she write a book about her take on the corruption she was helpless to stop? No. She should have called it “P.S I Screwed the lot of you” or “P.S I’ll get back to you as soon as I get my tongue out of George Wanker Bush’s Arse” or “P.S Thanks for the backhander” or “P.S stands for Pitiful State.” But no, she writes a fucking chick book. A formulaic pandering to women who should fucking know better. J.K Rowling is a wonderful author who is almost single-handedly responsible for making kids passionate about reading again. She has opened up a world for them and given them reason to believe that other authors can too. J.K Rowling received countless rejection letters from publishing companies and agents. Cecilia Ahern did not receive one. Jordan was invited to write a book. Ashley - who really gives a fuck - Cole was asked to write a book. Wayne Rooney was asked to write an autobiography before he was even twenty one. Ronan Keating has written TWO autobiographies and he isn’t even thirty yet! FFFFUUUUUUCCCCKKKK!!! I know that none of these idiots actually put pen to paper. No, they had someone else to write it for them but do you see something wrong with this picture?
As long as we’re entertained, we can be momentarily distracted from the dismal reality of what’s going on around us. Books and films are supposed to move you. They’re supposed to illicit a response. Books are now disposable pieces of rubbish. Films are now forgettable. Music is now FUCKING SHITE!!!!
I’m going to write a chick book. I’m going to call it, “If You Swallow Marmite, You’ll Swallow Anything.” Na, probably too long winded, “Sorry About The Pearl Necklace.” … Na, I’d never get away with that. “Louis Vitton Designed My Sack”. Na, too typical. I’ll get back to you on the t….. Wait a minute… “I’ll Get Back To You.” Perfect!! It’ll be about a bored housewife, working in the Social Welfare office who keeps losing people’s paperwork. Her life is pointless until a foppy haired, wealthy, middle-class, unemployed banana straightener who lives in Moyross comes in to her life. Richard; I think we’ve got another hit. I’m thinking “Gonna Write a Classic” covered by Will Young for the end credits.
We’re in the money. We’re in the money…… So long me hearties.